Premiere Pro likes stereo audio to remain stereo by default but you have complete control to change individual files or the fundamental way in which Premiere Pro imports stereo files so that they always behave like dual-mono files.
Final Cut Pro 7 users should really think about making dual-mono the new default to mimic what they’ve been used to.
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Reverse video can be used for more than visual effects. You can use in an editorial sense or stylistically. Either way, Premiere Pro let’s you flip a simple “switch” to change the direction of a clip and to easily flip it back.
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It can be very confusing when trying to understand the difference between Set to Frame Size vs Scale to Frame Size. They both look like they are doing the same thing, but one can give you pixelated results if you add additional scaling the the clip.
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Premiere Pro is the only editing program that gives the editor the ability to zoom into the audio waveform at the sample level. If you’ve every tried to remove pops, clicks, or ums and ahs with keyframes in other editing programs, you soon find out that not being able to zoom closer than the individual frames is huge restriction.
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The new Morph Cut transition blends, or morphs, two different frames together to create a seamless cut. If you experience any stuttering during playback with a Morph Cut transition then there are a few steps you can take to make it work.
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Adobe adopted a default interface that’s dark gray with blue accents. You can easily tweak the brightness and saturation to suit your needs.
Also, find out why you can’t pick your own interface colors.
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Premiere Pro has easy to use audio mapping features so you can control the signal from any track to any output.
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It’s never been easier to get the benefits of working with Workspaces with Premiere Pro’s Workspace Bar.
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Sometimes a mouse just doesn’t cut it when you’re trying to move something in precise increments. Using Hot Text and the arrow keys on your keyboard, you can now move in tenths, ones and decimal place movements to position your videos, titles, graphics or objects.
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Knowing what and how to precisely move the Anchor Point of any video, title, graphic or object will give you more control of your final project. Also learn how direct Anchor Point manipulation will benefit you.
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